{"id":144,"date":"2010-06-19T16:13:33","date_gmt":"2010-06-19T20:13:33","guid":{"rendered":"http:\/\/www.tylergibb.com\/wordpress\/index.php\/2010\/06\/19\/outlook-not-so-good\/"},"modified":"2014-10-24T18:20:57","modified_gmt":"2014-10-24T22:20:57","slug":"outlook-not-so-good","status":"publish","type":"post","link":"https:\/\/tylergibb.com\/wordpress\/index.php\/2010\/06\/19\/outlook-not-so-good\/","title":{"rendered":"Outlook Not So Good"},"content":{"rendered":"<p>I know, I know, bad blogger. But what can I say, <a href=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/9\/9a\/Chanterelle_Cantharellus_cibarius.jpg\" target=\"_blank\">chanterelle<\/a> season came early.<\/p>\n<p>I&#8217;ve been thinking a lot lately about investing. Not about banking but about the entertainment business and where those in it place their confidence.<\/p>\n<p>Someone&#8217;s making a film about Mattel&#8217;s <em>Magic 8-Ball<\/em>. <em>Battleship<\/em>, <em>Monopoly<\/em> and <em>Candyland<\/em> too. Children&#8217;s games. Remember the first Hollywood remake you ever heard announced? And you thought, if it ain&#8217;t broke&#8230; Why are they remaking something that was great to begin with? Then sequels and prequels became the rage, or rather, the safe bet. And now with <em>Transformers<\/em> and <em>G.I. Joe<\/em> bridging the gap between remakes and action figures it&#8217;s no great leap anymore to get to boardgames and toys.<\/p>\n<p>(I got an early glimpse at the new <em>Slinky<\/em> script &#8211; so brilliant! Touching, really.)<\/p>\n<p>What&#8217;s the lesson here? Business people want to minimize risk. Ergo, an iconic trade mark with nostalgic appeal, few million dollars in marketing and star power and voila: No risk, no worries, and everybody will go see it because the TV told us to. I get it. It makes sense. Where is it going to leave us in ten years when we&#8217;re all out of children&#8217;s toys to pervert and the remake of 2013&#8217;s <em>Jenga: The Movie<\/em> has just flopped at the box office, well, that&#8217;s some else&#8217;s problem.<\/p>\n<p>How do I figure into this? Not terribly well, really. I like writing new stories. Exploring new ideas. But, save for grabbing a camera, going out and shooting something myself &#8211; which I have been known to do &#8211; I also like to try to get others involved when possible. Namely investors. The trouble is, I don&#8217;t own the life rights to the shoe from <em>Monopoly<\/em> or any other property that harkens back to simpler times.<\/p>\n<p>The closest I have is <em>Minushi.<\/em> It&#8217;s no Coke and Mentos video but it&#8217;s always had a following and therefore could be the closest thing I have to a property. I spoke to a literary agent a few years ago hoping she&#8217;d be interested in reading a new script I&#8217;d just finished writing. I was super amped about it, really knew it would impress. She wasn&#8217;t interested in reading. &#8220;What about this Minushi movie of yours, why don&#8217;t you send me that. That looks like something I could sell.&#8221;<\/p>\n<p>Sounds like good news, eh? Yeah, at first. Until you realize you&#8217;re talking to a literary agent who <em>doesn&#8217;t read<\/em>. Wow. Score one for &#8220;picture&#8217;s worth a thousand words.&#8221;<\/p>\n<p>People don&#8217;t want to know you. They want to know what you can do for them. How you can, as quickly and as painlessly, make them money. Once upon a time, people invested in people. In long term potential. It took responsibility, foresight and yeah, maybe some balls. But it was an investment. Maybe it&#8217;s symptomatic of an industry that&#8217;s being shaken up like a cup full of <em>Yahtzee<\/em> dice, but shortsightedness seems rampant. That&#8217;s the same kind of behaviour we see in people going down in a sinking ship.<\/p>\n<p>Once upon a time, somebody at Mattel took a chance on the original <em>Magic 8-Ball<\/em>. Good for you Guy at Mattel in the 1940s&#8230; With your cigarettes and your fedora&#8230; Your big post-WWII capitalist balls&#8230; Good for you, buddy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ruminations on balls in the film industry.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-144","post","type-post","status-publish","format-standard","hentry","category-news-from-the-studio"],"_links":{"self":[{"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=144"}],"version-history":[{"count":0,"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/144\/revisions"}],"wp:attachment":[{"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/categories?post=144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tylergibb.com\/wordpress\/index.php\/wp-json\/wp\/v2\/tags?post=144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}